Ensemble

My Fifth Anniversary

I took my first electric guitar lesson with Jim Goelitz at Kagan & Gaines Music five years ago today on Wednesday, 25 June 2008. It has turned out to be a life-changing date. I’ve continued to take weekly lessons except when I’m out of town or when Jim is on vacation. When I started out, I had no idea where learning to play blues guitar might lead.

Learning to play the guitar turned out to be more challenging than I had imagined, but I also found that with each day I improved. I’ve always enjoyed learning new things and never found practicing a burden (just a challenge at times to fit in a busy day). Even when I felt frustrated learning a new chord or riff, I was encouraged by the knowledge that if I kept practicing I would eventually get the hang of it. And I always have–even if it took longer than I imagined it should have.

Almost two years ago on Friday, 29 July 2011, I attended my first weekly class with the K&G ensemble–ably led/taught by Jim Goelitz. Participating in that group has accelerated my learning process and expanded my skills in many ways. It’s also–as others in the group agree–the highlight of my week. Since I joined the group, we have performed in public six times. I would like to have more opportunities to perform and hope we can find some new venues.

It’s hard to describe what I’ve learned in the last five years. I’ve learned to play scales, chords, riffs and songs with increasing ease. I feel a much greater facility on the fretboard and an increased comfort level when playing with the group. I’ve long thought of myself as an introvert, so performing in public in front of people is quite a stretch of my previous identity. Performing is still a source of anxiety, but it has diminished considerably. Jim has often encouraged me to “dig in” and play with “more attitude,” especially when soloing. I’m working on letting go of my usual sense of restraint. I’ve come up with a new musical motto: “It’s Time to Get Nasty.”

I feel a sense of accomplishment with what I’ve learned in the past five years and have even begun to think of myself as a musician and a guitarist. Music is a lifelong path. I’m often reminded of how much I still want to learn and know that will always be the case. It’s one of the appeals of playing music.

Ensemble / Performance — No Comments
24
May 13

Ensemble Plays for Seniors (5/24/13)

Our Kagan & Gaines Music Co. ensemble played for an enthusiastic group of some 50 elders at Roosevelt Towers on Friday, 24 May 2013. We played through our entire set of fourteen R&B and blues songs: “It’s All Right,” “My Girl,” “Rainy Night in Georgia,” “Feel So Bad (Ballgame on a Rainy Day),” “Black Magic Woman,” “Hoochie Coochie Man,” “(Sittin’ On) The Dock of the Bay,” “The Thrill is Gone,” “People Get Ready,” “Ain’t No Sunshine,” “Baby What You Want Me to Do / Bright Lights Big City,” “Come Together,” “So In Love With You,” “It’s a Man’s Man’s Man’s World.” Our set lasted just over an hour, the longest we’ve ever performed.

Mickey Johnson, Mike Estelle, Billy Smith shared vocals in various combinations. Our teacher and leader Jim Goelitz, Alex Scaramuzza and I played guitar, Lawrence Brown played bass, and Justin Young played drums. It was disappointing that our keyboard player, Vera Beilinson, didn’t join us. Jesse set up the sound system before hand and made sure we sounded our best.

The audience had a good time and enjoyed our playing. Mickey went all out on his James Brown rendition for “It’s a Man’s Man’s Man’s World.” As at our church gig earlier this year, it was a perfect way to finish the set.

Practicing and playing music–both alone and in a group–offer many pleasures and satisfactions, but there’s nothing like performing–and playing well–for a receptive and enthusiastic audience. I think everyone in the group enjoyed it as much as the listeners. I appreciate Mickey Johnson’s arranging for our gig. I would love to do this more often.

Blues / Electric Guitar / Ensemble / Learning Music / Performance — No Comments
24
Feb 13

Ensemble Plays at Chicago Church

Our Kagan & Gaines Music Co. ensemble played a set of R&B and blues songs at the Pine Avenue United Church in Chicago Sunday afternoon in honor of Black History Month. The performance went well; we had fun and the audience seemed to enjoy us.

We began with a medley of “It’s All Right,” “My Girl,” and “Rainy Night in Georgia,” then continued with “(Sittin’ On) The Dock of the Bay,” “People Get Ready,” “The Thrill is Gone,” and “Ain’t No Sunshine.”

At that point, we started playing something I wasn’t expecting, Albert King’s “I’ll Play the Blues for You.” We hadn’t rehearsed it in a while and I hadn’t been practicing it, so it took a moment to realize what the song was and remember the chords.

We concluded with our version of James Brown’s “It’s a Man’s Man’s Man’s World.” It was the perfect finale, because Mickey Johnson went all out in his rendition of Mr. Brown. The audience loved it.

Our ensemble was smaller than usual, because our keyboard player, Vera Beilinson, had to cancel at the last minute, because of illness. Our teacher and leader, Jim Goelitz, who usually plays with us, had a prior commitment.

Alex Scaramuzza and I played guitar, Lawrence Brown played bass, and Justin Young played drums. Mickey Johnson, Mike Estelle, Billy Smith shared vocals in various combinations.

In previous performances, we’ve had music stands, so I had music to refer to if necessary (though I rarely did). This time I didn’t use music and didn’t miss it. There were a few times when I got off track and missed the chord I meant to play, but I hope no one noticed. Alex and I soloed on “The Thrill is Gone,” and “Ain’t No Sunshine.”

I love playing “Thrill,” and it’s a favorite to solo on, but I felt my solo wasn’t as good as I would have liked. Alex sounded good in his solos, though it’s hard to listen to others in the group when I’m trying to pay attention to what I’m playing.

It was a challenge to hear our singers, because we had no monitors. Afterward, one of the singers said they had the same problem. Kagan & Gaines didn’t supply any equipment for this event, so I used my Crate practice amp. I don’t know how it sounded in the audience, but it seemed to me to be loud enough.

Lawrence, our bass player, is a member of this church, so our group had played here once before on Sunday, October 29, 2011. (My post about it is here.) At that point, I’d only played with the group for a couple of months. It was my first time to play in public with the group. I remember that my anxiety before hand neared panic-attack levels. Since then I’ve gotten more experience playing with the group and performing, I know the material better and my anxiety has greatly diminished.

It’s always encouraging to be reminded that I am making progress in learning to play this music I love so much.

Blues / Electric Guitar / Ensemble / Learning Music / Performance — No Comments
29
Oct 11

Milestone: My First Gig (10/29/11)

I got to the Pine Avenue United Church in Chicago about fifteen minutes early and sat in the car trying to meditate and calm myself. I had never played guitar in public before and had only played with our Kagan & Gaines ensemble for a couple of months. For the previous couple of days, I’d been extremely nervous about this event. When I saw Jim Goelitz, my guitar teacher pull up, I went to the door with him. He had brought three large guitar amplifiers from Kagan & Gaines.

Lawrence Brown, our bass player, is education director of the church, so he was already there for the youth outreach program, which lasted all weekend. Justin Young, our drummer, was also already there. Jim and I set up the amps in front of the stage next to where Justin had set up his drums.

The room was a large auditorium-like space the size of a basketball court (there was even a hoop at the end opposite the stage). Near the stage were a number of folding chairs and behind them were folding tables and chairs.

The program started a little after 3:00. Six young women did an interpretative dance to a couple of modern recorded gospel songs. Then four young people from another church did a mime interpretation of two gospel songs. They wore black robes and white gloves. Stark white makeup highlighted their facial expressions.

I’d been nervous that Alex Scaramuzza, guitar, and Mickey Johnson, vocal, hadn’t arrived, but they made it before it was our time to go on. I was relieved our group wasn’t first on the program. It gave me a chance to get used to the space and the audience.

We started with an instrumental, Jimmy Smith’s “Back at the Chicken Shack.” Then Mickey came up and we did “The Thrill Is Gone” “Ain’t No Sunshine,” “My Girl,” and “(Sittin’ on) The Dock of the Bay.” Even though it wasn’t on the planned set list, Mickey announced Otis Rush’s “Feel So Bad” and we played that after “Thrill.”

He obviously likes that song, and he used it effectively to get the crowd going. He had suggested playing it at our practice the previous evening. Fortunately, I had an intuition to go over the chords yesterday and so I was able to get through it OK. I played almost the entire set without music.

As our final number, Jim picked “Equinox,” the John Coltrane jazz tune, which I felt weakest on. Fortunately, Jim and Alex played the melody. I’m still having trouble with the timing on it. Once Mickey left, the audience started to disperse. They especially responded to “My Girl,” recognized the instrumental lead-in, and sang along.

Blues / Ensemble / Learning Music / Uncategorized — No Comments
13
Jul 11

Blues Ensemble Class Announced

The big news at my guitar lesson today was that Jim Goelitz has finally organized a blues ensemble class. It will meet Fridays from 5:00 to 6:00 starting August 5. He gave me a CD with the thirteen songs we’ll prepare. It’s quite a diverse selection with pieces by Albert King (“Crosscut Saw”) and B.B. King (“The Thrill is Gone”) as well as by musicians I don’t know. I’m really psyched. This is very timely and is just what I’ve been wanting. Jim had been trying to start an ensemble for some time. Some of the students were in a previous jazz ensemble with Jim.

We spent most of my lesson going over aspects of the first three songs we will work on. He gave me a chart for Otis Rush’s “Feel So Bad.” I plan to take the CD on our upcoming road trip to listen to at least a couple of times. I’m sure I’ll be listening to those songs a lot in the coming weeks.

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07
Jul 11

A Big Step: Playing with Others

This was a Big Day for me: it was the first time I’ve played my guitar with other musicians. I went over to Jeff’s at 8:00 and after his friend Cesar arrived, the three of us played together for an hour or so.

It didn’t go as badly as I feared. I didn’t feel embarrassed or humiliated and while I was probably tense, the atmosphere was loose enough that I had fun. I played some reasonably good leads, but had trouble (as I had anticipated) keeping my place when I played rhythm. In part it was so loud with both the bass and drums in a basement room that it was hard to hear the chord changes.

Jeff would pick a song, and usually said what key it was in. Mostly I wasn’t familiar with the songs. He did a version of Albert King’s “Crosscut Saw” that was in a different key than I was used to, but at least it was a familiar song. For one song, Jeff sang the notes of an accent lick he wanted me to play. I managed to figure out the notes, which pleased me.

On the whole, I felt it was a successful experiment, at least from my point of view. I hope Jeff will be interested in repeating the experiment, though Cesar took his drums home at the end of the evening.

About 10:30 we headed over to the Harlem Avenue Lounge, which has an open mic blues jam on Thursdays. Jeff signed up to play and strongly encouraged me to sign up. I had taken my guitar home to avoid that possibility. Because I was still recovering from a bad cold, I was really pushing it to go at all and should probably have gone home to bed. However, I hope eventually to get up the courage to sign up and play.

I’m glad I went. It was a fun time, and it was good to hang out with Jeff. He knows a lot of the Lounge regulars. I asked him when he first started playing, and he said in junior high, when he was about 12. I wish I’d started that early. At one point in the evening, he mentioned playing with Junior Wells. I’ll bet he’s got a lot of fascinating stories to tell about the guys he’s played with over the years.

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04
Jul 11

An Invitation to Play

Jeff, a friend who has played electric bass in blues bands since he was in junior high, called and asked me to come over Thursday night to play guitar with him and Cesar, a drummer friend. I felt a good deal of trepidation, but I agreed. I have no idea what I’m getting into or how this will work. I’m assuming he knows songs. Will he sing? I’ll do what I can to keep up. I’m actually slightly more worried about playing rhythm than playing lead, but both could be a challenge in a live situation with music I don’t know. Jeff said we might play for an hour or two. That’s more than I’ve ever played in one day.

This inspired me to practice more yesterday and I did 90 minutes. I’d like to do that today, though in some ways it feels too late to prepare. I know what I know and will have to make do with that. As my teacher often says, “it’s not what you know, it’s what you can do with what you know.” He has also said something to the effect that it’s not the notes (the technical skill), it’s the feeling in the notes. That’s what I’ll have to remember: it’s about the feeling. I’ll also have to let go of my perfectionism and serve the music humbly as best I can.

Making Music On the Road to the Blues